Only in 2012, Philip Mould a renowned art dealer (who previously employed Grosvenor) purchased a painting from Christies depicting Queen Henrietta Maria, after Van Dyck. Anthony van Dyck (Flemish, Antwerp 15991641 London), Medium: Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. While this is less so the case nowadays, where understanding of conservation surely guarantees the safe conservation of the original image, this was sadly not always the case during the pre-modern period. She did not leave any paintings to her son, Henry, 7th earl of Mountrath. The series had three episodes: Edgar Degas - Danseuse Bleue et Contrebasses, Van Dyck Portrait of Queen Henrietta Maria, as St Catherine before restoration, The third series features four episodes. In France, the team discover that the painting is of the Fountain of Saint-Paul in Saint-Paul-de-Vence. In preparation for the portrait, Van Dyck must have done a careful study of Henrietta Maria's head, but as she probably posed only briefly for a sketch of the overall composition, he likely painted the actual portrait from a model or mannequin dressed in the queen's costume. Whereas the queen's graceful pose and demure expression are at once regal and endearing, her stylish wide-brim feathered black hat and shimmering dress create a sense of vibrancy and vitality. In her dowager years back in France in the late 1660s, she spent much of her time at her country retreat of Chteau de Colombes, seven miles north-west of Paris, which was decorated with numerous family portraits, moderne masters, such as paintings by Anthony van Dyck, Guido Reni, and Orazio Gentileschi, and many examples of Italian renaissance art, including works attributed to Titian, Tintoretto, and Correggio, which demonstrates her abiding affinity with her husbands collecting tastes. Portrait of Henrietta Maria (1609-1669), Queen of England, consort of Charles I . You can copy, modify and distribute this image, even for commercial purposes. Pentimento, as it is termed, is the alteration of a painting one which hints at traces of a previous work. Over ten years van Dyck painted many royal portraits for Charles I and his wife Henrietta Maria. [3], Following the programme, the restored portrait went on display in the Banqueting House, Whitehall, where Henrietta once lived.[3][7]. This had been sold at Christie's on 24 January 2012. A year on, we are now showing it. The possible attribution to Van Dyck was considered for both of these works. He was the son of the scholar-king, Peter Paul Rubens, George Villiers, 1st duke of Buckingham, 1620s, oil on canvas, 60.9 x 47.3 cm (Glasgow Museums, Pollok House), There was also the tutelage of the dashing and dangerous George Villiers, 1st duke of Buckingham, James VI and Is favorite (and most likely lover), a savvy collector of art who favored Italian painters, most especially the Venetian artist Titian. Charles purchased it at a colossal cost (it took him two years to pay what he owed). But I couldn't entirely shift the suspicion that some of it was just a little too good to be true. The 4th and 7th Street entrances are exit-only. part. (104 176 cm) Archbishop's Castle and Gardens, Krom. returns July 2021", "Fake or Fortune? East Building John Ashburnham both fought for the King and lent him considerable sums of money, for which he was viewed with great suspicion during the Commonwealth. Only a few years later he was working as the chief assistant to the great Flemish painter Peter Paul Rubens. 41 5/8 33 1/4 in. Despite layers of dirt, it was "still possible to see that we were dealing with a painting of potentially the very highest quality", said Mould. [43], Saint Amelia, Queen of Hungary by Delaroche, The sixth series started on 20 August 2017. The condition report may not refer to all faults, restoration, alteration or adaptation. His religious masterpieces and portraits were in demand across Europe. Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. 1991, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Start typing to see results or hit ESC to close, BREAKING: Oxford SU to remain affiliated with NUS, Motion of No Confidence in Charlie Mackintosh Ruled Invalid, Reza Pahlavi, Crown Prince of Iran, addresses the Oxford Union, Opinion: The NUS has betrayed the confidence of Students Unions again, Rewriting Roald Dahl: Dangerous Censorship Lies Elsewhere, Berlin Film Festival 2023 First Look Review Past Lives, Its clear that Governments need to govern, that people want them to govern, and that they need to make these important decisions. In Conversation with George Monbiot, As an owner, you need to be patient and build relationships with the media and the fans., The answer to bad free speech is good free speech Chancellor Lord Patten on Free Speech, the Vice Chancellor and Hong Kong. The following correction was printed in the Observer's For the record column, Sunday 19 June 2011. Queen Henrietta Maria Circle of Sir Anthony Van Dyck: Queen Henrietta Maria Attributed to Henry Stone: King Henry IV Renold Elstrack, or after . Enter or exit at7th Street, Constitution Avenue, or Madison Drive. "The Age of Charles I: Painting in England, 16201649," November 15, 1972January 14, 1973, no. There are numerous copies of the portrait, one of which was sold at Bonhams for 9,000 in October 2004. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. An X-ray suggested that Mould's portrait contained a smaller original which had been enlarged and over painted in the 18th century. She remained in France until the Restoration, when her son Charles II regained his position as King of England in 1660. Enter or exit at 4th Street. An Illustrated Descriptive and Historic Account of the Collection of the Earl of Northbrook, G.C.S.I., Lord Ronald Gower, ed., London, 1885: 29, and J. Weale and J.P. Richter, A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook, London, 1889: 92. Their first years together were unhappy, because the Duke of Buckingham, a favorite of the king, did all within his power to generate distrust of the young and inexperienced queen, a practicing Roman Catholic who spoke little English. Hudson's services had been offered to the queen when he was a young boy. Days later, his restorer removed dirt and varnish, revealing subtler brush strokes and colours, especially around the eyes. They are introduced to Joy Lutenbacher, who recalls that her aunt, Joan Smith, witnessed Churchill paint the fountain and provides a signed photo of Churchill given to her aunt, dated October 1945. (86 1/4 53 1/16 in., 70.308 kg), framed: 261.62 173.99 14.6 cm (103 68 1/2 5 3/4 in. Mould, who will present a BBC1 series, Fake or Fortune, from June 19, plans to reveal some of his art sleuth secrets, such as how to "read" through dirt and discoloured varnish, and showing "the risks, the science and the processes" involved in searching for unidentified old masters. Read our full Open Access policy for images There were four episodes in the first series, which started on 19 June 2011: The first episode of the second series was shown in the UK on 16 September 2012. Major C. E. Gubbins of the 3rd Hyderabad Cavalry Journal of the United Service Institution of India, Volumes 16-18 He bought it for 121,250. Henrietta Maria commissioned this painting as a gift for Cardinal Francesco Barberini, who viewed the devout French-born queen as a critical collaborator in his dream of regaining England for the Catholic Church. Anthony van Dyck, Charles I, before 1635, oil on canvas, 84.4 x 99.4 cm (Royal Collection Trust, London), Whatever his character failings and political misdeeds as monarch might have been, King Charles I was undoubtedly a refined individual and a great collector and connoisseur of art. On view at The Met Fifth Avenue in Gallery 617. Henrietta Maria, daughter of King Henri IV of France and sister of King Louis XIII, exerted a strong influence on court fashion and protocol, and introduced continental fashions and Italianate gardens to England. Her religious convictions, coupled with Lord Buckinghams attempts to turn Charles against her made relations with her husband increasingly uncomfortable until Buckinghams death and their subsequent reconciliation in 1628. "", "BBC - Fake Or Fortune? "[73], Benji Wilson, writing for The Daily Telegraph, described the programme, then in its ninth series, as "the art world's answer to Line of Duty". The Coronavirus pandemic disrupted the production schedule, but in September 2020 Philip Mould announced that pre-production of the ninth series had started. | Series 2 - 2. This took place at the time of the Thirty Years War (161848), a religious conflict between Catholic and Protestant states in central Europe. A lone walnut had been one reason the foundation rejected the work, but Fiona met with an expert based in Rome who considered its presence very de Chirico. [75] It has also started airing in fall 2013 on PBS and Ovation in October 2019 in syndicated second-run broadcasts after PBS in the United States,[76] and Series 4 has been available on Netflix (as Season 1) since December 2018. . television show", "Philip Mould on Twitter: So, this week's #fakeorfortune was designed to go out last year but there were research and authentication issues which meant we were not ready to go. (105.7 84.5 cm), Classification: Thomas Newport [c. 1655-1719, created 1st and last Baron Torrington in 1716], London, before 1716;[1] by inheritance to his third wife and widow, Anne, Lady Torrington [d. 1735, ne Anne Pierrepont], Newport House, Twickenham, and London;[2] by inheritance to her sister-in-law, Mary, Countess of Bradford [1661- 1737, ne Mary Wilbraham, widow of Richard Newport, 2nd earl of Bradford of the first creation], Weston Park, Shropshire;[3] by inheritance to her daughter, Diana, Countess of Mountrath [d. 1766, ne Lady Diana Newport, wife of Algernon Coote, 6th earl of Mountrath], 20-21 Grosvenor Square, London;[4] by inheritance to Caroline, Baroness Milton [1718- 1775, ne Lady Caroline Sackville, wife of Joseph Damer, later 1st earl of Dorchester], Milton Abbey, Dorset;[5] by inheritance to her son, George Damer, 2nd and last earl of Dorchester [1746-1808], Milton Abbey; by inheritance to his sister, Caroline Damer [1752-1829], Milton Abbey; by inheritance to her first cousin once-removed, John Dawson, 2nd earl of Portarlington [1781-1845], Milton Abbey; by inheritance to his nephew, Henry John Reuben Dawson-Damer, 3rd earl of Portarlington [1822-1889], Emo Park, Queens County, Ireland; by exchange 1881 to Thomas George Baring, 1st earl of Northbrook [1826-1904], Stratton Park, Hampshire; by inheritance to his son, Francis George Baring, 2nd earl of Northbrook [1850-1929], Stratton Park;[6] sold March 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[7] sold May 1928 to William Randolph Hearst [1863-1951], San Simeon, California; on consignment 1938 with (M. Knoedler and Co., New York) by (Parish-Watson and Co., New York), for Hearst; returned 1939 to Hearst; (his sale, held at Gimbel's and Saks Fifth Avenue by Hammer Galleries, New York, 25 March 1941, no. [3][6] Removal of the over-painting revealed an unfinished portrait of the Queen as St Catherine, which was subsequently attributed to Van Dyck at the conclusion of the programme by Dr Christopher Brown, director of the Ashmolean Museum and an authority on van Dyck. This had been sold at Christie's on 24 January 2012. Henrietta Maria of France, wife of Charles I, as she was born in 1609, would have been . Since the first series aired in 2011, Fake or Fortune? Find an obituary, get service details, leave condolence messages or send flowers or gifts in memory of a loved one. Oil on canvas, Dimensions: Leafing through the catalogue, Mould was struck by a "devastatingly pretty portrait of a girl". Search by Category. This image is in the public domain. |Batoni, Pompeo; George Oakley Aldrich (1721-1797); Bodleian Libraries; http://www.artuk.org/artworks/george-oakley-aldrich-17211797-259898, Oxford University's Student Newspaper. In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. Finding myself with some spare time for once last weekend, having exhausted the scores of titles on Netflix, I decided to browse BBC iPlayer (tragic!) Most exciting was the fact that the new series debut episode delved into the archives of the Bodleian library: having examined their picture archives, Grosvenor selected a painting which he believed to be a forgotten work by Pompeo Batoni, an artist renowned for his understanding of and attention to technical detail, as well as his ability to capture quite remarkably the character of his sitters (many of whom were young aristocratic men exploring Rome as part of their Grand Tour following University). As a Van Dyck oil study, it is worth 350,000. The visit was intended to negotiate for the hand of the Spanish Infanta Maria Anna (sister of Philip IV) to help cement peace between the Catholics and Protestants. This portrait isbased on Van Dycks lost original of circa 1636.1 Studio versions are found in the Fine Arts Gallery in San Diego,1 and the Alte Pinakothek, Munich.2Born in 1609 as the youngest daughterof Henri IV of France and Marie de Medici, Henrietta Maria was proposed as a suitable candidate for a match with the future Charles I from an early age. [42] The four-episode series was broadcast on 17 July 2016. So unusual was it to see scars depicted in such a way during the period, the burn marks were later disguised by overpaint out of Victorian modesty. It was described by Christie's merely as "Flemish School, 17th century, portrait of a young girl with a fan", discounting its own record that it was once attributed to Van Dyck. Philip Mould | Historical Portraits | Portrait of Henrietta Maria | Studio of Sir Anthony Van Dyck | Item Details For Philip Mould Fine Paintings please go to www.philipmould.com to see works of art for sale Powered by GalleryinaBox Historical Portraits Picture Library (select convert (int,CHAR (65))) returns to screens this month", "Trailer for 'Fake or Fortune?' Fiona and Philip visit a local art dealer who had bought an unusual still life for 1 thirty years ago. London. [40][7], Filming for the fifth series started on 24 November 2015. In this case, three portraits the first of a young lady that is attributed to, A still-life painting of a glass jug, plates and two pears was purchased by a woman in 2006 as a, The team investigate whether a small watercolour sketch is by British 20th-century sculptor, The team investigate an oil painting suggested to be the original for the print, The team investigate a 1858 painting titled, The team examine a 1846 painting which may be, Fiona Bruce and Ben Mould attempt to uncover the history of an unusual painting on plaster in the former home of amateur sculptor Fred Murray, brother of noted British ceramicist, The team examine a painting depicting the Lamentation of Christ hanging in a Catholic church in, This page was last edited on 26 February 2023, at 11:54. The team, assisted by art historian Bendor Grosvenor in series 1 to 5, and professor Aviva Burnstock, Head of the Department of Conservation and Technology at The Courtauld Institute of Art, in later series,[6] investigate the paintings on a number of fronts: establishing the provenance of the piece by working backwards from present day to the time of the work's creation; on a forensic level, with investigation and scientific tests on the materials used to help establish specific time frames; and examining the unique painting styles and quirks of the artist. One appeared to be the first pencil sketch for Gauguin's Tahitian masterpiece When Will you Marry?. Pentimenti (plural) can be seen in a number of works by world-famous artists such as Picasso and Van Eyck. The fluted column emphasizes her already exaggerated height, and the crown and cloth of gold emphasize her royalty. Van Dyck infused his portraits of the king and queen, including this depiction of Queen Henrietta Maria at age 24, with a tenderness and warmth of expression that fully convey the ideals of peace and harmony that underlay their philosophy of divine right to rule. The jewels in the crown of the collection were without question Titians eleven half-length portraits of Roman emperors (153640; destroyed by fire in 1734) which were inspired by the Roman historian Suetoniuss, The consequence of the visit was that Charles set his heart on a comparable collection of art for his own court when king. Philip Mould explains to Fiona Bruce his plan to reveal a lost painting by Van Dyck. A pearl-encrusted crown is tucked into the folds of the curtain. Van Dyck was born in Antwerp in 1599. Title: Queen Henrietta Maria Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London) Date: 1636 Medium: Oil on canvas Dimensions: 41 5/8 33 1/4 in. She touches her skirt with her left hand, to our right, and with the other touches a monkey on the boys shoulder. She has a straight nose, softly arched brows, and her full, coral-pink lips are closed. [74], The programme had its North American premiere on Canada's TVOntario in 2011. ", Although he acknowledged that auctioneers do not have the benefit of cleaning and restoring works, which help to reveal true quality, he added: "As art dealers, we scour daily the world's auction catalogues for paintings that are wrongly identified In any week, our finds might range from a misidentified Tudor icon to a misattributed 18th-century landscape but by a strange chance we seem to have hit a seam of Van Dycks.". Maintenant disponible sur AbeBooks.fr - Hardcover - Cologne, Cornelius van Egmondt - 1631 - Etat : Very Good - [SEXUAL ABSTINENCE FROM KENELM DIGBY S LIBRARY] 24mo., pp. Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). This magnificent portrait of the Queen is the type of painting that the king would traditionally present to a court favorite for political purposes. The team try to discover how the sculpture was acquired by the current owner's family, and although some promising leads are followed, there is no clear trail of evidence linking the piece to Giacometti himself. Therefore, the canvas itself can be a very useful tool in discovering details of a pictures creation, or of those which might have been intended to be hidden by the artist themselves. And, finally, there was James, 3rd marquess, later 1st duke of Hamilton, who served as the Master of the Horse and Gentleman of the Bedchamber to the king, both distinguished and powerful offices of the sovereigns household, which brought him into regular and close contact with Charles. John Ashburnham, grandfather of the 1st Baron Ashburnham, and his wife were painted by the artist incirca 1637. 135; 1817, no. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). After Lady Torrington's death, the house was sold out of the family. Are black holes the source of dark energy? Fiona Bruce stunned by 'lost' Gainsborough painting twist", "Philip Mould: Fake or Fortune? Files are available under licenses specified on their description page. Two rose-pink bows are tied on the white fabric on her chest. Direct link to Leonard Croll's post how much is the art wort, The Lost Collection of Charles I from the Royal Collection Trust. - BBC One", "Mystery of Sir Winston Churchill's paintings finally solved", "Munnings and Churchill, Series 4, Fake or Fortune? Fake or Fortune? Save 20-60% with unbeatable sales every day. Nevertheless, Charles I, formed by his family, circle of male supporters, his consort, and his adventures at the Spanish Habsburg court, was pivotal in bequeathing an incomparable legacy to the history of the visual and decorative arts in Great Britain. Lowry", "A Mystery Old Master, Series 4, Fake or Fortune? https://www.metmuseum.org/art/collection/search/438112. Mould's research identified it as the head of St Joseph for a lost painting of the holy family, known from a version by the master and his studio assistants in the Manchester Museum. Its muted colours suggested it was not painted using oil. Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title: 5A, p. 54, no. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE. The following 4 files are in this category, out of 4 total. Charles I not only commissioned Van Dyck to paint portraits for his own collection but also as gifts for loyal courtiers, ambassadors, and foreign rulers. By United Service Institution of India, page 23, Last edited on 26 February 2023, at 11:54, "Fake or Fortune? 1sts Queen, by Vandyck.". Will Will Still still continue his incredible run? For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. At Bonhams for 9,000 in October 2004 //www.artuk.org/artworks/george-oakley-aldrich-17211797-259898, Oxford University 's Newspaper. Touches her skirt with her left hand, to our right, and her,! The artist incirca 1637 Observer 's for the record column, Sunday 19 June 2011 Oakley Aldrich ( 1721-1797 ;! Wife Henrietta Maria that the painting is of the Queen when he was as. 70.308 kg ), framed: 261.62 173.99 14.6 cm ( 103 68 1/2 5 3/4 in and! To all faults, restoration, alteration or adaptation, framed: 173.99! 9,000 in October 2004 5 3/4 in ( including buyer 's premium ) regarding. 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