Pretty but Pointless. Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. That said, this is a step up from the Las Vegas episode. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. For up-to-date casting go back to the previous page. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. They felt detached from transitions into them, when they existed (like in Cortigiani). The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. 31 Dec 2021 - 11 Jun 2022. Artists. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. Though her voice is not especially large it carries nicely, especially her plummy chest voice. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. In the role of Sparafucile, Relyea continued his revival with the company. mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. John Relyea will make his Met role debut as Sparafucile in Verdi's Rigoletto, replacing Andrea Mastroni. Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. Videos. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. He is a professor at the Yale School of Drama. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management Mozart's Idomeneo. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. The Met: Live in HD is supported by Rolex. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. The singers, who were all on their A-game, often sounded a bit uncomfortable. It will help us make your newsletter content more useful. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. But then the turntable starts to move. Opera in the Park; Don Giovanni (Mozart) . This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. 24, 2022 Karen Kamensek will conduct the May and June. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. 23 des. {{::date | momentFormat:'D'}}{{$last ? '' Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. For more information, visit metopera.org. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. 2010-2023 Bachtrack Ltd. All rights reserved. esser difforme, esser buffone, the voice shifting from grainy to soft and delicate as he sang Il retaggio dogni uom m tolto, il pianto.. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. Rigoletto contains a wealth of melody, including one that is among the worlds most famous: La donna mobile. All the operas solos are rich with character insight and dramatic development. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. Abbonamento a partire da 12,50/mese 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood.